From theater maker Nadia Latif in her directorial feature debut, adapted from the
Walter Mosley novel of the same name, the upcoming thriller stars Hawkins as Charles Blakey, a young African American man on the verge of losing his ancestral home in the historically Black neighborhood of Sag Harbor, New York, due to foreclosure.
A knock on the door one day from a peculiar
white businessman, introduced as Anniston Bennet (Dafoe), presents a strange offer: the older gentleman would like to rent out the home's dusty basement for the summer in exchange for funds that would be enough to clear Charles' debt for good. Charles accepts, but soon finds himself led down a dark path that confronts his family's ghosts. While Latif's iteration stays close to the source material, which touches on
themes like race, power, and morality, she does change up a few beats: The film is set in 1994, about a decade before the novel takes place, to coincide with the distant backdrop of the Rwandan genocide during the Rwandan Civil War. This allowed the filmmaker to paint a more expansive portrait
about colonialism, the transatlantic slave trade, and "who gets to tell whose history," she says.