2010's True Grit:
Following the murder of her father by a hired hand, a 14-year-old farm girl sets out to capture the killer. To aid her, she hires the toughest U.S. Marshal she can find—a man with 'true grit'—Reuben J. 'Rooster' Cogburn.
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I honestly loved it. Seemed far more straight-forward than any other Coen movie I have ever seen. Played straight, it was a great western with no real heroes.
Bridges, as usual, is brilliant. He becomes characters more than he acts them. Matt Damon, I'm pretty certain, played his part precisely as the Coen brothers wanted him to, which makes him a caricature more than a character. But it is a very moving, expansive, complex film. It will stay with me for a while, which is what a good film should do.
9/10
Then, unfortunately, I saw Oldboy:
With no clue how he came to be imprisoned, drugged and tortured for 15 years, a desperate man seeks revenge on his captors.
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That will stick with me for too long as well. But for ALL THE WRONG REASONS, unfortunately. Like shit sticking to your underwear... Awfully slow pacing. Way over-rated in critical circles. Yeah-- I get it, the Koreans literally have no filter or reasonable censorship in their themes for cinema. Ugh. I hated almost every aspect of it. The characters are terrible people, the long, continuous shots are tedious and torturous and the morality play it tries to be is worthless. It is a complete over-reach in hyperbole. Did it influence future films like "John Wick?" Who the fuck cares? No one will ever be a better person for having seen it. Put it in the category with "The Human Centipede" and "A Serbian Film" and "Martyrs" for bullshit wanna-be arthouse CRAP that is WORSE than pornography because it doesn't lead to any release of dopamine or adrenaline, or serotonin, just a false wish that you could "unsee" something.
1/10 (only because it is well-filmed). Otherwise I would rate it in negative integers... No need to reconstruct ancient themes with modern "hyper-real" special effects and over-reach in every conceivable aspect (from credibility to color-schemes to plausibility). Fuck that film!